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What IS useful is being able to solo the 4 bands, you can quickly tell if something surprising is dominating where it shouldn't.

Apart from adjust the level of the relay track, a very crude fix, you can't directly do anything with the info other than see its own energy profile. Tonal Balance, the business of being able to look at Relay isn't actually quite as useful as I'd hoped in the way I'd hoped, but I think it is a very good tool. As I suspected, it'll be great for remixers and actually for Post believe it or not, where you might want to tweak a mix to make it sit better for your own purposes. However clever they are, they're never as good as the real thing. But with both of these, I can barely think of a use for them in a mastering process where you have control over the mix. The low end thing is quite clever, and can be very impressive. With that proviso its pretty damn good, and I think the algorithm might have been improved from RX. You get +/- 8db of room, and you can only make one adjustment at a time. Music Rebalance feels like its been deliberately designed to represent the tech in the most flattering way. I've had a little play with a few things. Got to get off that train for a while (again). Recently Upgraded RX4 to RX7, then RX7 Advanced for a project deperatly needing it, but even at sale prices, a lot of money spent for subtle upgrades. Not planning on getting this because I still don’t see enough there to justify basically repaying for a plugin. Ozone 8 works great and has some nice features, but there isn’t much more you can do with it than O5. Ozone 5 was really the height of the plugin, I really like the presets. I’ve used Ozone 5 in Pro Tools 11, 12, 2018, and 2019, All work fine. When I finally upgraded to 8 a few months ago (on a deep sale) it allowed me to keep Ozone 5, so if you owned it at some point you should be able to load in and activate the plugin with 8 or 9.

The reverb is in Ozone 5, which I still have. I really miss the reverb they had in Ozone, was it pre version 6(?). I’ve used O8 for mastering but never really used the plugins when mixing. Lofi wrote: ↑ 1:00 you worked with that tonal balance thing on orchestral or even hybrid music?